Lubeznik
Center for the Arts (LCA) has announced the upcoming spring exhibition, LatinXAmerican, which will be on display
from March 4 through June 11, 2022.
LatinXAmerican includes photographs, paintings,
sculptures, textiles, videos and installations from nearly 30 Latinx
artists. The exhibition explores the shifting and, at times, contradictory
social, cultural, political and artistic identities between Latinx artists
of different circumstances and generations.
The term "Latinx" is used here as a nonbinary, gender-inclusive alternative to Latino or Latina for people of Latin American heritage living primarily in the United States. It is important to note not every artist in the exhibition identifies as a Latinx artist. Some prefer national, racial and/or ethnic designations of identity.?Therefore, further exploration of the artists’ diverse backgrounds is encouraged.
LatinXAmerican is on loan from the DePaul Art Museum
(DPAM) in Chicago. This exhibition reflects an initiative by DPAM to
increase the visibility of Latinx artists and voices in museums, working
toward equity and lasting transformation. Latinx communities account for over
18% of the US population. A 2018 study of 18 major U.S. art museums found
only 2.8% of artists in their collections are Latinx people.
Lubeznik Center for the Arts aligns with DPAM’s initiative to increase the visibility of Latinx artists and is grateful to DPAM for loaning most of the pieces in the exhibition. Generous support for this exhibition and its related programming is provided by the Andy Warhol Foundation for the Visual Arts.
Participating artists include Alberto Aguilar, Tanya Aguiñiga, Candida Alvarez, Alfredo Antonio Martinez, Enrique Chagoya, Karen Dana Cohen, Nicolás de Jesús, Claudio Dicochea, Salvador Dominguez, Ester Hernandez, Benito Huerta, Alejandro Jimenez-Flores, Salvador Jimenez-Flores, Rodrigo Lara, Melissa Leandro, José Lerma, Nicole Marroquin, Marisa Moran Jahn, Vik Muniz, Errol Ortiz, Gala Porras-Kim, Edra Soto, Vincent Valdez, Derek Webster and Mario Ybarra Jr.
José Lerma uses common construction materials,
prefabricated doors and household paint, to create excerpts of the few
paintings by artists of Latin American descent on view in the American
galleries at the Art Institute of Chicago, like in his painting, La Madrileñita (above). He asks us to contemplate who is considered an
American artist within the American collection, while considering the often
invisible economic and artistic contributions of immigrants in this
country.
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